Summary: A new study provides further evidence of the place code theory of pitch perception and may help with the development of better cochlear implants.
Source: University of Washington.
Picture yourself with a friend in a crowded restaurant. The din of other diners, the clattering of dishes, the muffled notes of background music, the voice of your friend, not to mention your own – all compete for your brain’s attention.
For many people, the brain can automatically distinguish the noises, identifying the sources and recognizing what they “say” and mean thanks to, among other features of sound, pitch.
But for someone who wears a cochlear implant, a surgically implanted electronic device that restores a sense of hearing, pitch is only weakly conveyed. For decades, scientists have debated how, exactly, humans perceive pitch, and how the ear and the brain transmit pitch information in a sound. There are two prevalent theories: place and time. The “time code” theory argues that pitch is a matter of auditory nerve fiber firing rate, while the “place code” theory focuses on where in the inner ear a sound activates.
Now a new study bolsters support for the place code. These findings, published in the September issue of the Journal of Neuroscience, could inform further development of the cochlear implant. The paper’s lead author is Bonnie Lau, a speech-language pathologist and postdoctoral fellow at the University of Washington Institute for Learning & Brain Sciences. Here, her research focuses on development of the human auditory system.
Pitch is one of the basic aspects of sound. It roughly corresponds to the periodicity of sound waves; sounds with a higher pitch have a higher repetition rate. Most often associated with music and voices, pitch contributes an aesthetic quality to what we hear. Think of an ocean, or a symphony; without pitch, Lau explained, “the things we love to listen to, those aesthetic aspects will be changed.” Pitch also functions as a cue to distinguish sounds, especially in noisy places. It makes listening in real-world environments like restaurants and public transportation more difficult when we don’t have access to pitch,” she added.
Pinning pitch perception on a “place code” provides opportunities for improvement of cochlear implants that would not be possible if pitch were perceived only through a “time code.”
Here’s how the two codes work:
- In a time code, which relies on a phenomenon called “phase locking,” auditory nerve fibers respond to a time-based pattern in a sound wave by firing at the same place every cycle, transmitting information to the brain — a process that works only up to a certain frequency. But beyond a certain repetition rate, the auditory nerve fibers can’t follow the periodicity in a sound.
- In a place code, different frequencies activate different parts of the inner ear, with pitch organized from high to low, like a musical scale. Where the activation is indicates the pitch of a sound.
For Lau’s experiment, researchers tested 19 people (average age: 22) with a range of musical training (from no formal training to 15 years’ worth). Musical experience, Lau said, turned out to have no clear correlation with pitch perception in this study.
The participants listened to and compared a series of high-frequency tones (greater than 8,000 Hz) with specialized headphones in a soundproof booth; after each tone, participants used a computer to indicate which sound was higher in pitch. Researchers chose only very high-frequency tones, embedded in background noise, in order to eliminate the possibility of a time code and focused instead on whether a place code was at work. And when these ultra-high frequency pure tones were combined in a harmonic complex (think musical notes), participants’ pitch perception improved significantly.
“Our findings show that even when timing information is not available, you can still hear pitch,” Lau said.
The design of new technologies, then, could benefit from this finding, she said. Cochlear implants currently convey little pitch information to the user, but these results suggest that enhancing place information alone has the potential to improve pitch perception from a cochlear implant. A separate study, supported by the National Institute on Deafness and Other Communication Disorders, is exploring whether a shortened electrode array in the implant can target exclusively high-frequency sounds.
Co-authors on the paper were Anahita Mehta and Andrew Oxenham of the University of Minnesota.
Funding: The study was funded by a grant from the National Institutes of Health.
Source: Bonnie Lau – University of Washington
Publisher: Organized by NeuroscienceNews.com.
Image Source: NeuroscienceNews.com image is adapted from University of Washington news release.
Original Research: Abstract for “Superoptimal Perceptual Integration Suggests a Place-Based Representation of Pitch at High Frequencies” by Bonnie K. Lau, Anahita H. Mehta and Andrew J. Oxenham in Journal of Neuroscience. Published online September 13 2017 doi:10.1523/JNEUROSCI.1507-17.2017
[cbtabs][cbtab title=”MLA”]University of Washington “Pitch Imperfect? How the Brain Decodes Pitch May Improve Cochlear Implants.” NeuroscienceNews. NeuroscienceNews, 22 November 2017.
<https://neurosciencenews.com/cochlear-implants-pitch-8010/>.[/cbtab][cbtab title=”APA”]University of Washington (2017, November 22). Pitch Imperfect? How the Brain Decodes Pitch May Improve Cochlear Implants. NeuroscienceNews. Retrieved November 22, 2017 from https://neurosciencenews.com/cochlear-implants-pitch-8010/[/cbtab][cbtab title=”Chicago”]University of Washington “Pitch Imperfect? How the Brain Decodes Pitch May Improve Cochlear Implants.” https://neurosciencenews.com/cochlear-implants-pitch-8010/ (accessed November 22, 2017).[/cbtab][/cbtabs]
Superoptimal Perceptual Integration Suggests a Place-Based Representation of Pitch at High Frequencies
Pitch, the perceptual correlate of sound repetition rate or frequency, plays an important role in speech perception, music perception, and listening in complex acoustic environments. Despite the perceptual importance of pitch, the neural mechanisms that underlie it remain poorly understood. Although cortical regions responsive to pitch have been identified, little is known about how pitch information is extracted from the inner ear itself. The two primary theories of peripheral pitch coding involve stimulus-driven spike timing, or phase locking, in the auditory nerve (time code), and the spatial distribution of responses along the length of the cochlear partition (place code). To rule out the use of timing information, we tested pitch discrimination of very high-frequency tones (>8 kHz), well beyond the putative limit of phase locking. We found that high-frequency pure-tone discrimination was poor, but when the tones were combined into a harmonic complex, a dramatic improvement in discrimination ability was observed that exceeded performance predicted by the optimal integration of peripheral information from each of the component frequencies. The results are consistent with the existence of pitch-sensitive neurons that rely only on place-based information from multiple harmonically related components. The results also provide evidence against the common assumption that poor high-frequency pure-tone pitch perception is the result of peripheral neural-coding constraints. The finding that place-based spectral coding is sufficient to elicit complex pitch at high frequencies has important implications for the design of future neural prostheses to restore hearing to deaf individuals.
SIGNIFICANCE STATEMENT The question of how pitch is represented in the ear has been debated for over a century. Two competing theories involve timing information from neural spikes in the auditory nerve (time code) and the spatial distribution of neural activity along the length of the cochlear partition (place code). By using very high-frequency tones unlikely to be coded via time information, we discovered that information from the individual harmonics is combined so efficiently that performance exceeds theoretical predictions based on the optimal integration of information from each harmonic. The findings have important implications for the design of auditory prostheses because they suggest that enhanced spatial resolution alone may be sufficient to restore pitch via such implants.
“Superoptimal Perceptual Integration Suggests a Place-Based Representation of Pitch at High Frequencies” by Bonnie K. Lau, Anahita H. Mehta and Andrew J. Oxenham in Journal of Neuroscience. Published online September 13 2017 doi:10.1523/JNEUROSCI.1507-17.2017