Summary: Impaired motor function, such as that experienced by Parkinson’s patients, appears to influence the perception of art, researchers report.
Source: University of Pennsylvania
Art appreciation is considered essential to human experience. While taste in art varies depending on the individual, cognitive neuroscience can provide clues about how viewing art affects our neural systems, and evaluate how these systems inform our valuation of art.
For instance, one study shows that viewing art activates motor areas, both in clear representations of movement, like Adam and Eve in Michelangelo’s Expulsion from Paradise, and in implied movement through brush strokes, like in Franz Kline’s gestural paintings.
Altered neural functioning, like that experienced in patients with Parkinson’s disease, changes the way art is both perceived and valued, according to a study published recently in The Journal of Cognitive Neuroscience by researchers from the Penn Center for Neuroaesthetics at the University Pennsylvania’s Perelman School of Medicine.
They found that people with neurological motor dysfunction demonstrated decreased experiences of motion in abstract art and enhanced preferences for high-motion art, compared to a healthy control group.
“People can experience movement in abstract art, even without implied movement, like brush strokes,” says author Anjan Chatterjee, MD, a professor of Neurology and director of the Penn Center for Neuroaesthetics.
“These representations of movement systematically affect people’s aesthetic evaluations, whether they are healthy individuals or people with Parkinson’s disease.”
The study examined the aesthetic experiences of 43 people with Parkinson’s disease and 40 controls in the same age group. The subjects made motion and aesthetics judgements about 10 Jackson Pollock and 10 Piet Mondrian paintings. Using seven-point Likert scales, participants rated the paintings along nine categories: Liking, Beauty, Interest, Familiarity, Motion, Complexity, Balance, Color-Hue, and Color-Saturation. The Color dimensions served as relatively objective control ratings.
People with Parkinson’s disease demonstrated stable and internally consistent preferences for abstract art, but their perception of movement in the paintings was diminished compared to controls.
This finding provides evidence that the brain’s motor system is involved in translating nonrepresentational information from static visual cues in the image into representations of movement.
For example, Mondrian paintings receiving the highest motion ratings in this study contained more visual elements, overlapping lines, repetition, and many small areas of contrasting colors.
Mondrian’s final Boogie-Woogie paintings, inspired by the New York jazz scene, are viewed as dynamic and rhythmic, despite an absence of gestural brushwork. The feeling of movement brought about by works like these likely results from the way these visual elements are interpreted, leading to abstract representations of movement rather than simulations of specific bodily actions.
Similarly, Pollock paintings may be felt as dynamic because the increasing number of overlapping colors and the manner of paint application leads to more repetition, curvature, and contrast, which are thought to evoke feelings of movement.
“Our findings are particularly significant because, previously, it was posited that viewing abstract art stimulated the motor system because people could envision the gestures the artist took when painting,” says lead author, Stacey Humphries, PhD, a postdoctoral researcher in the department of Neurology.
“But our research shows that even without those representations of movement, the motor system can interpret static visual clues as movement and in turn impact the viewer’s aesthetic appreciation.”
The motion effects cannot be attributed purely to greater complexity in the higher motion paintings. Researchers found no significant differences in the complexity ratings or the relationship between complexity and liking of art given by patients and controls.
The researchers note that the patients participated while on their usual medication. One factor not yet considered is the effect that dopaminergic medication might have on aesthetic experiences. Dopamine plays a significant role in the normal functioning of the brain’s reward system, which is consequently disturbed in Parkinson’s disease.
The fundamental insight of the study is that the brain’s ability to construct abstract representations of movement influences people’s aesthetic experiences of art.
Funding: This study was supported by the Smith Family Fund.
About this Parkinson’s disease and art research news
Movement in Aesthetic Experiences: What We Can Learn from Parkinson’s Disease
Visual art offers cognitive neuroscience an opportunity to study how subjective value is constructed from representations supported by multiple neural systems.
A surprising finding in aesthetic judgment research is the functional activation of motor areas in response to static, abstract stimuli, like paintings, which has been hypothesized to reflect embodied simulations of artists’ painting movements, or preparatory approach–avoidance responses to liked and disliked artworks. However, whether this motor involvement functionally contributes to aesthetic appreciation has not been addressed. Here, we examined the aesthetic experiences of patients with motor dysfunction.
Forty-three people with Parkinson’s disease and 40 controls made motion and aesthetics judgments of high-motion Jackson Pollock paintings and low-motion Piet Mondrian paintings.
People with Parkinson’s disease demonstrated stable and internally consistent preferences for abstract art, but their perception of movement in the paintings was significantly lower than controls in both conditions. The patients also demonstrated enhanced preferences for high-motion art and an altered relationship between motion and aesthetic appreciation.
Our results do not accord well with a straightforward embodied simulation account of aesthetic experiences, because artworks that did not include visual traces of the artist’s actions were still experienced as lower in motion by Parkinson’s patients. We suggest that the motor system may be involved in integrating low-level visual features to form abstract representations of movement rather than simulations of specific bodily actions.
Overall, we find support for hypotheses linking motor responses and aesthetic appreciation and show that altered neural functioning changes the way art is perceived and valued.